KEVIN SINNOTT//A Retrospective: 1973 -2004

Before I had any sense of history; before my horizons had spread not far beyond the free-time jaunts of a village in South Wales , and the torch of ambition had barely flickered; before this, I was aware of the significance of Paul Cezanne's painting. Such is the effectiveness of modern mythology perhaps, that such a strange cultural juxtaposition could occur. Nevertheless it was through the fullness of the respect paid to Cezanne by the twentieth century that the nineteenth century master of Aix could have reached my outpost and, in turn, send me scuttling beyond.

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